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Author: Molar Ben "IN THAT ESQUINA YOU ENCUENTRO, Buenos Aires..."
words of Florencio Escardo - music of Hector Stampone - painting of
Raquel Forner
"IN THAT ESQUINA YOU ENCUENTRO, BUENOS AIRES..
. "
I
In that esquina you encuentro
Buenos Aires. . .
In what esquina you encuentro?
Ya No sirve Corrientes y Esmeralda,
No estan solos, nor esperan los porteños.
Seguro estoy of hallarte donde sea,
in Nuñez O in Palermo,
in mow put patios idiot jazmines,
there of los nuevos y altivos rascacielos,
O in the ultima esquina sin ochava,
of San Telmo sin negros.
II
In that esquina you encuentro
Buenos Aires. . .
In Callao y Quintana
mundo ajeno,
tal vez in Mataderos, in the esquina
adonde junta leguas El Resero,
O cerca of the estatua of Florencio,
O rumbo del Abasto por Salguero,
donde anduvo Gardel, silbando tangos
that aguantaron el tiempo,
y algunos that No oi. . .
por that murieron.
I (a)
In that esquina you encuentro
Buenos Aires. . .
In what esquina you encuentro?
In the esquina of Sabato y Pichuco.
O in the esquina of Borges y Carriego,
Estas in todas, todas tired esquinas
LED arrabal y central el,
in mow verdes Barrancas de Belgrano,
y estas in mow will riberas del Riachuelo,
cuyas aguas will oscuras van diciendo:
Juan de Dios Filiberto.
they said:
Florencio Escardo: The tango,
folklore of Buenos Aires, tremble and grow with the city, it has the
capacity to be built in the number of the sentimental meeting of the
Argentinian ones.
Hector Stampone: It was time that
the owners of the literary to and from give up the theory of
exploration and the analysis, to test themselves in the lived poetic
one of the tango and to become thus left active its topicality and its
future.
Raquel Forner: Tango, which
through time, has reussi to settle in space.
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