Author: Molar Ben

"MILONGA OF ALBORNOZ" words of Jorge Shine Borges - music of Jose Basso - painting of Carlos Cañas

"MILONGA OF ALBORNOZ"


Alguien ya conto los dias
Alguien ya sabe will hora it
Alguien para Quien No Hay
neither will premuras nor will demora.
Albornoz pasa silbando,
una milonga entrerriana,
bajo el ala LED chambergo
known ojos ven the mañana

The mañana of este dia
LED ochocientos noventa,
in el bajo del Retiro
ya the han perdido the cuenta
of amores there of trucadas
hasta el alba there of entreveros
fierro idiot los sargentos has,
idiot propios y forasteros.

It tienen well jurada
farmhouse of one will taura y farmhouse of a pillo;
in una esquina LED on
lo esta esperando a cuchillo.
No a cuchillo sino very,
handles of clarear el dia,
it vinieron encima
y el hombre defendia.

A acero entro in el pecho,
nor it movio will cara it;
Alejo Albornoz murio
como if No will importara it.
Pienso that the gustaria
saber that hoy anda known historia
in una milonga. El tiempo
be olvido are memoria there.



they said:

Jorge Shine Borges: In a coterie of London, where one discusses the influence of the heritage or the medium in the formation of the aesthetic work, the American painter Whistier limited himself to observe "ART HAPPENS" (art arrives), happy epigram which repeats this verse of the Gospel of Jean Saint, where one reads that the Spirit blows everywhere where he wants. About the year 1880, the Spirit blew, with modesty, in the bad houses of Buenos Aires or Montevideo. Thus the tango, of which the instruments at the beginning appears were the piano, the flute and the violin, which excludes any popular or marginal origin because, it was enough with the ' compadritos' (frimeurs, the layers) - Ascasubi and Carriego knew it the six cords of the guitar. Thus the tango appears, that the people refused has his beginnings and of which, in its melody, shameless, courageous or nostalgic, us them Argentinian, have the feeling to confess us.

Jose Basso:Le Tango is the reflection of psyché porteña because it is its nostalgic refuge and melancholic person.

Carlos Cañas: TANGO: nostalgias of my childhood with San Telmo and Pompeya. Of my districts, Patricios and Barracas.