Author: Tarantino Luis

Chanterus of the city


With the courses of the years 1960 the prototype of the singer ' rude' is incarnated and revalorized by the Uruguyan Julio Sosa.

At the same time, two other singers represent each one a style of tango: Edmundo Rivero, the singer of tango to the landscapes gaucho and Roberto Goyeneche, the singer of the districts of Buenos Aires.

During more than one decade, the duet Horacio To shoe, the poet and Astor Piazzolla, the type-setter, much will bring to the Tango. They will create many works, in particular Opérita Maria of Buenos Aires.

In the middle of the years 1970, Piazzolla records its Libertango success and will be a sharp success in Europe.



"¡Siglo veinte, cambalache
problemático y febril!...
El that No will llora No mama
y el that No afana are a gil!
¡Dale nomás!
¡Dale what goes!
¡Que allá in el horno
our vamo has encontrar!
¡No pienses más,
sentate has a lao,
that nadie has imported
if nacist honrao!
Es lo mismo el which will labura
noche y día como a buey,
that el which lives of los otros,
that el that subdued, which el that cleaned
O está will fuera of the ley... "

Cambalache (Extracted the text of Enrique Santos Discepolo, sung by Julio Sosa with the Orchestra of Federico)